![]() Haraway’s cyborgs are a blending of imagination and material reality. Haraway’s use of the cyborg illustrates her conceptualizations of socialism and feminism in the examinations of dichotomies such as nature/culture, mind/body, and idealism/materialism. She introduces the potential of a completely new ontology of hybridization of nature and culture through the cyborg, a combination of machine and organism. Haraway’s piece is a novel approach to examining the culture-nature divide. ![]() Evolution, she claims, has blurred the lines between human and animal 20th-century machines have blurred the lines between natural and artificial and microelectronics and the political invisibility of cyborgs have blurred the lines of physicality. ![]() Haraway begins the "Manifesto" by explaining three boundary breakdowns since the 20th century that have allowed for her hybrid, cyborg myth: those between human and animal, animal-human and machine, and physical and non-physical. ![]()
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